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The People, sheet 7 of the series »War«, 1922

Käthe Kollwitz, The People, sheet 7 of the series »War«, 1922, woodcut, 360 x 300 mm, Kn 190 VII b, Kollwitz Museum Köln, Inv. Nr. 70300/92017.   
Käthe Kollwitz, The People, sheet 7 of the series »War«, 1922, woodcut, 360 x 300 mm, Kn 190 VII b, Kollwitz Museum Köln, Inv. Nr. 70300/92017.   

At the centre of this sheet is a woman who evokes the image of the Virgin of Mercy. A child peeps out from under the mantle which is only hinted at and holds its hands in front of his face in a protective gesture. Behind the figure of the woman, the distorted faces of desperate people emerge from the dark as they huddle up to her. They are the war victims who survived, albeit with emotional and physical wounds.

In her diary, Käthe Kollwitz wrote of her almost finished »War« series:

But my work has gone well this year and I am grateful for that. The war cycle is as good as finished. Insufficient and inadequate it may be, yet if you consider the work’s great task, it has come to a conclusion and completion.« 

Käthe Kollwitz, Diaries, 30 December 1922

Preparatory works

Käthe Kollwitz, The People, 1923, black crayon on blue Ingres laid paper, 442 x 455 mm, NT 972, Kollwitz Museum Köln, Inv. Nr. 70200/83041.
Käthe Kollwitz, The People, 1923, black crayon on blue Ingres laid paper, 442 x 455 mm, NT 972, Kollwitz Museum Köln, Inv. Nr. 70200/83041.
Käthe Kollwitz, Blind People, 1922/23, Charcoal on laid paper, 452 x 461 mm, NT 973, Kollwitz Museum Köln, Inv. Nr. 70200/83042. 
Käthe Kollwitz, Blind People, 1922/23, Charcoal on laid paper, 452 x 461 mm, NT 973, Kollwitz Museum Köln, Inv. Nr. 70200/83042. 
Käthe Kollwitz, The People, 1923, pencil on laid paper, 378 x 383 mm, NT 978, Kollwitz Museum Köln, Inv. Nr. 70200/93002.
Käthe Kollwitz, The People, 1923, pencil on laid paper, 378 x 383 mm, NT 978, Kollwitz Museum Köln, Inv. Nr. 70200/93002.